I have been asked recently about one of the pieces I painted for the CCL show. It’s the one that’s 14 inches wide and 60 inches long and is entitled ‘Light Shot with Birds’. The poem by Betty Adcock is entitled Topsail Island and the line is “For now, the island’s mine, talking a cold tongue blue, the light shot with birds.” Don’t you just love that poetry line? I would love to create a whole series of paintings just using that one line; to me it’s so extraordinary.

So I decided I would write about and show you how that painting came into being, once I had

One of the best advantages for me in my art journey is using oil paint. This blog post is about a recent re-working of an oil painting. It was started maybe 7-8 years ago. I found it a while back, cleaning my studio closet. 

Here, to the left, is what the painting looked like when I found it. Well, let me say this: at the time I painted it, I was proud of it. Loved the colors of the flowers as well as the color of the vase. I'd been in a Jim Crompton workshop...

It all started three years ago at a music event. My friends, Melody Watson and Kris Ferris were producing musical events in the area at the time. They would bring guest artists to various venues around the city for a fabulous evening of music. 

I was asked to run the green room for a show featuring an up-and-coming artist they were hosting. Of course I'd never done something like that before, and had always wondered what really goes on in a ‘green room’ like I see on CBS news.....

Recently I was asked if I paint abstracts. My quick answer was "No, but I'd like to someday". As it happens the universe gives us opportunities every day if we're listening. Two weeks ago I was trying to.........

I just found this wonderful blog by Carole Ridrigue for you. It's a subject I know I've wondered about and heard other artists talk about, so actually here are two articles for you to read and give....

When I began working on my next installment of my Creative Friends Series, I interviewed Wayne Epperly for a couple of hours and recorded that conversation. I have used snippets of that talk throughout this blog. Here they are all...

I just finished week six of the eight week class I've been writing about (here and here) and realized I hadn't reported to you about the process of this exciting class. Week three was about taking that notan (referring to the relationship...

Alice and I met in 2006 when she moved to Greensboro from Spartanburg, SC to be close to her daughter and grandchildren after her husband died. She joined an art group called The Peacocks, a watercolor group...

When asked "what do you paint" I always say I'm a landscape painter. Yet, when I take a look back at my iPhoto file of 'My Paintings' I see lots of things, not just landscapes. So who am I as a painter? Well, it's obvious I'm more than a landscape painter. 

When I started out painting I thought I'd be a flower painter. I had enjoyed...

I'm often asked this question. This can be a fine line... I can't tell you how many times I've heard artists say the following about a painting... "it wasn't quite right, then I went back in and I overworked, ruining the painting!" So yes, you can overwork it and at other times you can just be unhappy with it and continue to change it until you feel you've a good painting. This is the case of this painting I'm going to show you in the photos below.